Archive for the ‘2007 Archive’ Category

Surface Tension

Thursday, December 13th, 2007
posted by Denis

Wexford Arts Centre presented

Panel Discussion: The challenges of touring: artists and exhibitions in different contexts

Juliana Walters, Jane Jermyn, Gerda Teljeur

Juliana Walters, Spaltung, DVD still, 2006/07

The exhibition Surface Tension, with works by Gerda Teljeur, Juliana Walters and Jane Jermyn, has been selected for The Touring Experiment and will travel to a number of locations throughout Ireland over the next months. Curated by Wexford Arts Centre, Surface Tension brings together a disparate body of works in ceramic, sculpture, drawing and video that focuses on the artists’ shared interest in the materials of making: in themes of repetition, and where the works in different ways seem to connect into notions of Time and Distance. As such a narrative unfolds within and between the works that is not necessarily part of the artists’ shared intellectual or conceptual enquiry, but has happened through an intelligent act of curatorial juxtapostioning. Unpredictable connections occur and grow out of the tension that builds between works creating a space for other narratives or fictions to form. Like the road journey that this exhibition will take, the works within are collectively opened to multiple interpretations, for the artists who did not know each other before exhibiting together have not pre-forwarded a directive text. And so we can find ourselves within this space tuning into not only the more conscious reflective aspects of our minds but perhaps more deeply into the sensual realms of our beings.

Surface Tension, in situ - Wexford Arts Centre, 2007 featuring drawings by Gerda Teljeur and ceramics by Jane Jermyn

If an interplay between time and distance might be found within a non-linear narrative that flows between the works of Juliana Walters, Gerda Teljeur and Jane Jermyn then it allows for an almost schizophrenic leaping between past and present, between feelings of displacement and connection; the back and forth - so much a part of the repetitive act integral to the making process within each of the three artist’s practice. While clearly the emphasis and concerns of the artists differ greatly, it is one of the successes of this exhibition that such differences do not limit or contrive viewing, but rather enable a further opening up to the other in totally unpredicted ways. There is a sense that something deeper, more subliminal, is in operation here that supports this interconnection. Perhaps it is an unblocking of pathways between states of being - between our conscious, subconscious and unconscious selves – our divided selves – providing a way forth for experiencing simultaneous feelings of completeness and fragmentation, of the real and the imagined, that would appear to mirror our experiences of being in the world and our complex relation to the world around us.

Entering into the spirit of the Touring Experiment Juliana Walters, Gerda Teljeur and Jane Jermyn will take to the road with Wexford Arts Centre’s touring exhibition. At Broadstone Studios there is a desire to add new work – to respond to the gallery space, to reconsider elements of the show. Generously and creatively the three artists who were at the start strangers to each other, have committed their time and artistic energy and as travelling partners they set out on their journey prepared but also open to the endless possibilities that may arise en route.

Cliodhna Shaffrey, excerpts from Surface Tension exhibition catalogue, 2007
Including essays by Mic Moroney, Paul Murnaghan, Moira Vincentelli

http://www.wexfordartscentre.ie/exhib/surface/01.html

Saturday 12 January, 2008 - Panel Discussion
The challenges of touring: artists and exhibitions in different contexts

Panel speakers:

Cliodhna Shaffrey

– Independent Curator

Catherine Marshall

- Visual Arts Advisor, The Touring Experiment

Eleanor Flegg

- Craft Design Writer & Critic, Sunday Times, Irish Arts Review

New Work

Saturday, November 10th, 2007
posted by Denis

Finbar Kelly

Finbar Kelly's workFinbar Kelly's work

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Urban Gothic

Tuesday, October 2nd, 2007
posted by Denis

George Bolster, Kate-Rose Carrick, Mark Dean Veca, Kelly Eginton,
Jane Philbrick, Rachael Reupke, Ewoud Van Rijn.

This exhibition curated by George Bolster brings together several international artists whose work implies a morbid fascination; macabre elements run through each of their varied practices. Epic is a device used here as something to explore ideas of heightened or altered emotional states. The dark side of the subconscious is explored through a fusing together of psyche and taboo. These works simultaneously swing from implied crassness to material seduction. A fantastical or gothic sense of their chosen subject threads the artists together.

George Bolster’s (IRL) intricate pencil drawings on veneered wooden panels depict figures of saints high on heavenly music. Bullet with Butterfly Wings (2007) shows a tattooed rock god in the form of Christ, each of his tattoos are allegorical symbols for Christ, he is set high on the cross, blood in the form of ribbons flooding down on to the floor. At his feet a Japanese inspired Madonna and a sculpture of Adam´s scull with speakers for eyes with jewels spelling his name set into its teeth.

In Kate-Rose Carrick´s (UK) cinematic architectural perversions the audience wanders into a world of disturbed displacement. Exploiting the unsettling slippage between a normative world and this constructed unknown one. A staircase appears to lead to nowhere, encouraging the viewer to climb, in search of enlightenment, only to find a shadow, which is not their own, appears to follow.

In his paintings, Mark Dean Veca (USA) portrays images that are a fusion of hero/villain comics inhabiting danger-ridden landscapes set against a backdrop resembling moldering wallpaper in unkempt houses. His huge expanded wall paintings, which carry with them a strong reference to street graffiti sometimes take the form of putrid organs exploding and dissolving our idea of the space in which they are made. In Oedipus Wrecked (2002) a floor based painting the universe appears to extend down beyond the surface of a domestic carpet to new and unknown worlds.

Kelly Eginton (USA) hopes to discover something otherworldly by building up from the crudest and most basic elements until a presence is nearly or just barely perceptible. She considers true creative endeavour to be a humble and dangerous pursuit. One must be ever mindful of the perils of inviting the devil into ones house. Her stage like mine shaft sculpture conceals a hidden narrative of what lies beneath, or inside, her obsession with mountains.

In her sound work, Common Prayer (2001), Jane Philbrick (USA) uses the voices of 12 individually recorded clergymen speaking the first 30-seconds of Rudolph Giuliani´s Senate campaign withdrawal speech of July 2000, for which he cites health concerns arising from his recently diagnosed prostate cancer. Through this re-voicing she continues her project of “meaning making” through the manipulation and representation of sound and image. Her Stigmata Gloves (2006) in white and black leather with silk lining similarly engage with idea of private pain in the public domain.

Rachael Reupke (UK) uses a wide range of references, which serve her body of work exploring ideas about cinema, spectacle and the modern world. In single-shot video works, she deconstructs, undermine and reorder conventional cinematic hierarchies. In Untitled (2006) we are confronted with what turns out to be a surveillance camera which strains near and far in terms of focus to capture anything which might move. But the landscape contains no trace of humans leading us to believe that this is a post-human world where the machines still record what no one will see.

Ewoud Van Rijn (NL) illustrates lurid scenes of life sex and death in fairyland. The vast sheet of white paper is for him a theatrical space. As such it is the re-creation of a mental space; everything that takes place within is an enactment of mental processes and the impulses that trigger them. A few schematic props set the stage. Van Rijn´s protagonists, wide eyed, svelte nymphets, lounge around seductively. We are beguiled ­ until we realize that they are munching nonchalantly on a cannibal kill, or mutilating themselves, or drinking each other´s blood.

Curators Talk: Saturday 2 pm October 20th 2007v

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Inhibitions

Thursday, September 20th, 2007
posted by Denis

MOXIE

Building on their recent online exhibition of work in progress, Moxie returns with this shyly assertive collection of works. Under the umbrella of “inhibition”, the Moxie artists delve into their own personal histories and inner concerns, and collectively into
their experience of being emerging artists.

Moxie is a group of contemporary artists based in Dublin and Wicklow. The group comprises of 13 members who have been actively exhibiting individual and group projects, both nationally and internationally. ‘Inhibition’ will showcase the work of members:

Jonathon Curran, Anita Delaney, Hannah Doyle, Vera Klute, Michael Murphy, Fiona O’Connor, Kelly O’Connor and Kathryn Ryan.

 

in·hi·bi·tion

n.

  1. The act of inhibiting or the state of being inhibited.
  2. Something that restrains, blocks, or suppresses.
  3. Psychology Conscious or unconscious restraint of a behavioral process, a desire, or an
    impulse.
    1. Chemistry The condition in which or the process by which a reaction is inhibited.
    2. Biology The condition in which or the process by which an enzyme, for example,
      is inhibited.

www.moxiedublin.com

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The Forest of The Fallen Moon

Tuesday, July 3rd, 2007
posted by Denis

Cotillion is Kevin Gaffney, Alan Burns, Gayle Anderson, Frances Hayes & Winnie Byrne .

The Forest of the Fallen Moon is a sound, light and video piece that questions mankind’s place in history in relation to the earth and subsequent global warming. Inside the shed a fable is told and the viewer becomes aware that the projections surrounding them are the shadows of a forest that no longer exists, a forest that fell through the folly of man.

The Forest of the Fallen Moon follows an event in Tulca 2006, and predates a forthcoming exhibition in the Dublin City Council’s The Lab on Foley St in September 2007

http://www.cotillion.i8.com/broadstone.html

Projector

Friday, June 1st, 2007
posted by Denis

Anthea Behm, Brent Grayburn, Soda Jerk, Brendan Lee, David Mackenzie & Craig Bender, Todd McMillian, Ms & Mr, Kate Murphy, Rachel Scott, Sam Smith and Peter Volich

Projector - A screening of video works by Australian artists

Curated by Kate Murphy

Four presents Projector a screening of video works by national and international artists selected from various curators that take place on a bimonthly basis and are free. Films screened at Four present a chance to view an eclectic range of moving image work, from films and videos.

While i am waiting for my life - still from Racheal Scott's video

Four is devoted to the development of an uninhibited artistic exploration of ideas, discourses and new trends in contemporary art and its practices. It sees its function as promoting, supporting and bringing contemporary art, curators and the artists who take part in its evolution to the public’s attention. The gallery is committed to the professional development of artists and offers a strong level of curatorial, administrative and practical support. The exhibitions are complimented by a programme of live music and a series of talks which aim to introduce and discuss various aspects of contemporary art practice.

Kate Murphy graduated from the Canberra School of Art, Australian National University in 1999. Murphy is the recipient of the 2004 Helen Lempriere Travelling Art Scholarship. In 2005 she completed a Master of Fine Arts at the College of Fine Arts, University of New South Wales, Sydney. Her most recent solo exhibition, Placing the Camera was held at Performance Space, Sydney in July 2005. In 2006 she is undertaking the Helen Lempriere Travelling Art Scholarship to New York, U.K. and Ireland where she is international artist in residence at the Fire Station Artists’ Studios in Dublin.

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Interludes

Thursday, May 24th, 2007
posted by Denis

Miranda O’Driscoll, Fiona O’Connor, Muireann Brady

Pleasure and Wayward Distractions

Thursday, May 3rd, 2007
posted by Denis

Owen Boss, Laura Burke, Tim Cantillon, Siobhan Conway, Judy Carroll Deeley, John Donohoe, Niamh Farrell, Caroline Kennedy, Sabina Mac Mahon, Oisin McGovern, Michelle Melody, Molly Mishkas,Lesley-Ann O’Connell, Paula Salmikangas, Martin Smyth, Cornelius Thalbridge, Kathy Tynan, Bregtje Wolters, Lee Welch and Mars Wright.

These artists each employ different approaches to making art. The works are prompted by various caprices that come from both external sources (physical stimulus through the five senses) and internal sources (thought, emotion, daydreams, sex drive, etc.) each investigating personal histories that reveal intimate subtleties beneath the more immediate.

Pleasures & Wayward Distractions is put together with a broad variety of techniques including drawing, installation, painting, text and video. This group exhibition is intentionally open but not undefined placing the viewer within a framework that hopefully allows for a moment of wondering. The works pose questions where single meanings are denied offering a catalyst for unstructured creative interpretation and meditation.

Pleasures & Wayward Distractions is organized by the once in a lifetime collective. The exhibition is made possible by Tequila Ireland and with additional support from Treasury Holdings, Ernst & Young, M. Conway HPS LTD, Ulster Bank, Easons, Tiger and NCAD Student Union. Commenting on the exhibition sponsorship, Ms. Samantha Gregan, Student Product Manager, Ulster Bank said; “We are delighted to be sponsoring this exhibition. Ulster Bank recognises the importance of providing students with excellent financial support and advice and we also acknowledge the necessity to support artistic endeavours.

This gives us the perfect opportunity to do so by allowing us to encourage and reward new young talent.”

www.myspace.com/wayward_distractions

For further information please contact Lee Welch @ 00 353 (0) 86 365 1256.

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David Beattie and Sonia Shiel

Friday, January 5th, 2007
posted by Denis

David Beattie and Sonia Shiel

For this exhibition, David Beattie presents new work that is part of a wider series of experiments investigating the physicality of space, substance and time. Using a variety of media, his work takes the form of installation, video, sound, photography and sculpture. Through the use of elementary physics and everyday materials, Beattie constructs situations that allow for playful experimentation. In A Dog, a Ball and the Infinite, a red ball is repeatedly thrown into the sea and is retrieved eagerly by a dog. This continuous, universal activity of a dog fetching a ball allows the contemplation of repetition and circular motion in the wider context of human experience.

Sonia Shiel’s new work suggests internalised, collective fantasies and romantic imagery, in that it contemplates the ‘lite’ relationship we have with the sublime. It considers common rituals and notions of expectation as amended by an everstandardised life. While contemplating notions of expectations and the anxieties associated with ceremony and pomp – the work also explores materials and duration. The infusion of cartoon like flatness into the paintings attempts to suggest a caricaturing of their sentiments and menacingly compromises their sincerity, this is carried through to the video works’ provoking connotations of invested and cherished ideals, regurgitated from familiar romantic culture, place and purpose. Pertinent to Shiel’s work is the articulation of unrequited efforts and desires of the everyday, as they stem from recurring tensions between notions of anticipation and anticlimax and play between the fantastical and the real.

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